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Marina Wittemann (b. 1984, Moscow, Russia) is a multidisciplinary artist based in Germany, working across painting, sculpture, and installation. Her practice explores how information shapes us — not only as thought, but as something physically absorbed and carried by the body. Working primarily with newspapers and wood, she transforms materials associated with memory, repetition, and emotional influence into paintings, vessels, and installations. Through layering, fragmentation, and tactile surfaces, her works investigate how information accumulates, settles, and becomes physical and emotional experience. Wittemann holds a BA (Honours) in Fine Art from The Open University / Open College of the Arts, UK.

EXHIBITIONS AND ART FAIRS​

(S) Solo Show    (G) Group Exhibition     (AF) Art Fair

 

​2026     LWL-Museum Henrichshütte, 14. Revierkunst, Hattingen, Germany (G)

 

              Art Karlsruhe, one:artist show, Germany (EXOGallery, Stuttgart) (AF) ​

2025     Encounters. Matter and Meaning, with Eberhard Bitter, EXOGallery, Stuttgart, Germany (S)

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             Arrival, All Rights Reversed, Amsterdam, Netherlands

             

             Contemporary Trompe-l’œil. The Illusionists. Sensory Deception, EXOGallery, Stuttgart, Germany (G)

             Text and Image, Site:Brooklyn Gallery, Online Exhibition, curated by Caroline Goldstein (Artnet), New

              York, USA (G)

 

             Die Neuen, BBK Landesverband Saar (Bundesverband Bildender Künstler Saarland e.V.), Germany                 (G)

             The Stage is Yours, EXOGallery, Stuttgart, Germany (G)

             Shape of Feeling, Kunstmatrix, virtual exhibition (S)

             Discover Art, HR Group, Pullman Berlin Schweizerhof, Germany (G)

             Emerging Woman Artist Award Virtual Exhibition, Arts To Hearts Project (G)

             ARTY SHOW Zürich, Switzerland (G)

 

             Art Karlsruhe, Germany (EXOGallery, Stuttgart) (AF) ​

2024     Resonance, with Valo Valentino, EXOGallery, Stuttgart, Germany (S)

             Affordable Art Market, Hamburg, Germany (AF)

             Global Paper 6, City Museum Deggendorf, Germany (G)

             Peter Gross Bau, St. Ingbert, Germany (G)

             Art Karlsruhe, Germany (Hegemann Galerie, Munich) (AF)

             Imagination, Hegemann Galerie, Munich, Germany (G)

 

2023     A Taste Of Synaesthesia, Oxo Tower Bargehouse, London, UK (G)

             Feel the Space, Artscape Gallery, Luxembourg (S)

             Art Karlsruhe, Germany (Hegemann Galerie, Munich) (AF)

             New Perspectives, with Jürgen Fux, Hegemann Galerie, Munich, Germany (S)

 

2022     Affordable Art Fair, Hamburg, Germany (HazeGallery, Berlin) (AF)

             Art Market Budapest, Budapest, Hungary (HazeGallery, Berlin) (AF)

             Discovery Art Fair, Cologne, Germany (HazeGallery, Berlin) ) (AF)

             Affordable Art Fair, Brussels, Belgium (HazeGallery, Berlin) ) (AF)

             Shape of colour, HazeGallery, Berlin, Germany (S)

 

2021     Oblivion, virtual exhibition, The Holy Art, London, UK (G)

             Artsy Mood, Boomer Gallery, UK (G)

 

2018     Love Hatred Separation Artree Space. Shanghai, China (G)

 

2017     Light and colour, General Consulate of the Russian Federation, Shanghai, China (S)

 

2016     48th annual Art Exhibition Armando Alvares Penteado Foundation – FAAP Sao Paulo, Brazil (G)

 

2014     Exhibitions of the summer practice and composition, Moscow State Academic Art Institute named                   after V.I. Surikov, Russia (G)

 

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NOMINATIONS AND AWARDS

 

2022    Shortlisted Artist of the VAO UK & International Emerging Artist Awards 2022, Sculpture category

MAGAZINES AND PERIODICALS

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​2025    Michael Beer, St. Ingberter Zeitung, Saarbrücker Zeitung, 12.Mai 2025, Wenn Krieg die Familienbande zerreißt (When war tears apart family ties), Seite C1

2024    St. Ingberter Zeitung, Saarbrücker Zeitung, 31 August/1 September 2024, Farbspiele laden zum Perspektivwechsel ein (Colour games invite you to change your perspective), Seite C3

2024    TOP Magazin, Saarland, Sommer 2024, Spannende Kunst-schau bei Peter Gross BAU (Exciting art show at Peter Gross BAU), p. 36-37

2024    Paper Global 6, City Museum and Crafts Museum of the Deggendorf City, International Paper Art Triennale 2024 Catalogue, Anja Fröhlich, Greta Butuci, p. 11, 18, 78

 

2024    Saarbrücker Zeitung, 16 April 2024, Erste Ausstellung im „Peter Gross Atrium“, Brigitte Quack, St. Ingberter Zeitung, p. C1

2024    OPUS. Das Kulturmagazin der Großregion, March/April 2024, Kunst und Business, Stefanie Zutter, p. 41

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2022    Anton Dorso, Journey Through The Senses, Living Colour of Synaesthesia, 2022, p. 9

2022    PURPLEHAZE Magazine, Woman Issue 007, 2022, p. 233-235

2021    Synaesthesia: Cross-Sensory Aspects Of Cognitive Activity In Science And Art, Editor-in-Chief: A.V.Sidoroff-Dorso, Moscow State University of Psychology and Education, p. 52, 54

2021   Al-Tiba9 Contemporary Art,  10 Questions with Marina Wittemann, INTERVIEWS PLATFORM, SCULPTURE, online

2020   Timo Wang, 5 Minutes with Marina Wittemann, Singulart Magazine, online

2018    ZhiShengHuo, 光的“表现”使者 (Light "performance" messenger),The Economist 1843, issue 37, 2018, p. 26-29

2018   Giuseppe Daddeo, Memories, A Shanghai Poetry Zine, 5th edition, 2018, p. 9

2017   Murilo Aquino “Conexão internacional” (Internacional connection), FAAP Magazine No 293, March + April2017, p. 27

2017    Bruna Bopp “Da tristeza para a Arte” (From sadness to art), FAAP Magazine No 293, March + April 2017, p. 50-51, 66-67

2016    Annual FAAP Art Opens Doors on November 21, Vogue online Magazine 

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MEMBERSHIP (MITGLIEDSCHAFT)

 

GEDOK Frankfurt

BBK - Bundesverband Bildender Künstler Saarland e.V.

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© Marina Wittemann 2026

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